It was a free lunch and I happily grabbed it, since wifey was out and Pihu (my , I am 3, going on 4, kid) was at Nana’s place. I am a big fan of Nagesh and would love to pay for my lunch anyday for Iqbaal, Dor, HB so the decision was made so much easier.
The movie is mostly shot in Canada and that’s refreshing. Watching the greens, sparkling water bays, upmarket houses and what not. ‘Precept’ which produced the movie along with T-Series is not a great name to reckon but they did spend some money by shooting in Canada.
The plot is around Akki who can look beyond a photograph and can go back in time when the pic was shot. He is usually seen going back by a minute since by then he gets unconscious and is usually taken to a hospital after such a act. The film moves very well in the first half, tight editing, no-fuss dialogues, good locations, clean camera work and no distraction (Sorry, Akki doesn’t bare. Ayesha looks beautiful and thats about it).
So far a good movie but come 2nd half and it falls apart. Let me give you the plot.
Akki’s dad is murdered (a oil baron) and he makes his wife as the sole winner of the fortune. He has some friends and they were all there on the boat from where he fell and everyone thought that it was a case of accident. Come Javed Jaffery (He is Super, he acts as a HYDi, super) , a dismissed cop who claims that the dad was murdered and that starts Akki’s journeys into past life.
Actually before the accident happened, a group photo was clicked by Sharmila (Akki’s mom) and with that photograph he now goes behind the scene (1 minute past) and tries to figure out. I wont give you the complete story but once the truth is out, the film still goes for another 20 minutes. It reminded me the grueling last sequences of movies like Dar (KKKK….) and Bhoot where director/script-writer just got carried away.
No great music to write about. Javed shines brilliantly. Ayesha does well and Akki was pretty good.
My high point in the whole movie was to find old TV stalwarts on big screen after a long time viz. Benjamin Gilani, Anant Mahadevan and Girish Karnad.